Cardiff Contemporary, the Welsh capital’s biennial festival of international contemporary arts starts THIS WEEK! From Thursday 20 October – Saturday 19 November 2016.
The 2016 theme of communication, and title, Are You Ready? references Marconi’s breakthrough radio signal, made from Flat Holm Island to Lavernock Point in 1897.
Ten new artist’s commissions include the activation of a permanent sculpture on Cardiff’s waterfront and the re-appropriation of two derelict city landmarks, where artists will communicate ideas globally and through space and time.
Thirty-one days of artistic challenge and discovery opens across the Welsh capital on Thursday 20 October 2016 as Cardiff Contemporary gets underway for its fourth edition. Drawing together international and Wales-based artists to charge the city streets, galleries, forgotten spaces and communities with the crackle of new and exciting ideas in multi-disciplinary visual, sonic and performance arts. The theme of ‘communication’ looms large, as artists and audiences are urged to look beyond earth, through time and to each other for clues, answers and inspiration.
Taking in historic sites from the city centre to Cardiff Bay, Cardiff Contemporary will find its focus in a temporary hub, ‘The Angel’ developed to include four new gallery spaces across a derelict, former motorcycle garage beneath the city’s Angel Hotel. From here brand new commissions will radiate across Cardiff, including impressive new public sculpture along one of Cardiff’s most public landmarks, a takeover of the imposing-yet-defunct Customs and Immigration Building at Cardiff Bay for an exhilarating, public reclamation and an un-missable light sculpture in the heart of the city centre.
Artists and groups confirmed include: Megan Broadmeadow, Laura Ford, Roman Štětina with curator Louise Hobson, Robert Montgomery, Heather and Ivan Morison, Anthony Shapland, Rob Smith and Charles Danby, tactileBOSCH, Spit & Sawdust with Edwin Burdis and a collaboration between Locus Collective (Richard James, Angharad Van Rjiswijk), comedian and writer, Stewart Lee and Andy Fung. Cardiff Contemporary is a Cardiff Council initiative, developed by Visual Arts Manager, Ruth Cayford.
The themes and overarching title for the festival, ‘Are You Ready?’ is a direct reference to the residency of Guglielmo Marconi in the city. As an exile from Italy where his pioneering vision was met with scepticism, he was supported by the British Post Office to develop his experiments into radio communications technology. Assisted by local engineer, George Kemp, Marconi succeeded in transmitting those three, immortal words in Morse code from Flat Holm Island in the Bristol Channel to Lavernock Point, Glamorgan on 13 May 1897. Just four years later, the pair succeeded in the first transatlantic radio transmission. Artists have been asked to consider this history and the modern age of instant and relentless communication in developing new work.
Creating a period of city-wide, creative celebration, Cardiff Contemporary coincides with Artes Mundi 7 art prize and exhibition (opening Friday 21 October at National Museum Cardiff and Chapter) and the city-wide Sŵn Music Festival (Friday 21 – Sunday 23 October, various venues).
Commissions, exhibitions and events announced as part of Cardiff Contemporary 2016 to date are as follows:
Megan Broadmeadow: Let The Stars Be Set Upon the Board
Reportedly discovered in 1901, the same year as Marconi’s transatlantic radio transmission, the Antikythera Mechanism is an ancient, bronze instrument of multiple, moving parts described as the earliest analogue computer. Bristol-based artist, Megan Broadmeadow will use this seismic archaeological discovery as the basis for a new sculptural work, simultaneously reflecting on the mechanism’s resting place at the bottom of the Mediterranean and the ancient Egyptian and Greek civilisations that it is related to.
Laura Ford: Keepers of The Wall
Laura Ford’s sculptures, combining tenderness, fantasy with frequent signs of menace to relay political or social comment, will bring something suddenly and mysteriously new to a Cardiff city centre landmark. This project will remain purposely under wraps, exercising the art of surprise.
Roman Štětina: Shave and a haircut – two bits
Czech artist Roman Štětina investigates the processes of creating film, television and radio; making visible the props, technologies and studios of ‘backstage’. At Cardiff Contemporary, Štětina presents a new site-specific installation curated by Louise Hobson. Exploring the narrative of call and response, images within images stretch back in time and space, reflecting in a present that has no more thickness than a mirror.
Robert Montgomery: Cardiff Poem 2016
Beautifully capturing the convergence of prose and visual art, Robert Montgomery’s work in neon, fire, billboards, painting and print has written deeply-affecting statements large across public spaces from Trafalgar Square, London to Tempelhof Field, Berlin. Montgomery will make his latest statement in central Cardiff, illuminating resident’s and visitor’s journeys with an intervention from on high that invites a moment of reflection.
Heather and Ivan Morison: Love Me or Leave Me Alone (LMOLMA)
Combining to deliver work that transcends the divisions between art, architecture and theatre, the duo of Heather and Ivan Morison will activate Cardiff’s waterfront with their first, permanent public building. Located at Cardiff Bay, the meticulously sculpted structure, inspired by stave churches of Norway – a country inextricably linked by historic trade to Cardiff – and ad hoc beach shacks of 1960s West Coast America will appear as a functional food and drink outlet. Love Me or Leave Me Alone will play host to a programme of special events curated by Chapter on Saturday evenings during the festival.
Anthony Shapland: The Hand That Makes The Sound
Signwriting is an art form that is dying out and one of the most common forms of communication spanning the birth of trade and commercialism as we know it. Cardiff-based artist, Anthony Shapland is exploring the art and one of the city’s oldest surviving practitioners of the trade, whose own, physical canon of works has been gradually eroded by the advancement of regeneration, knocking down the workshops and traditional retailers that once proudly bore the fruits of his labour.
Charles Danby and Rob Smith: Limelight
A project that arrives in Cardiff courtesy of PEAK – Contemporary Art in the Black Mountains – and the Canal & River Trust, Charles Danby and Rob Smith return to the rural heartlands above the city, encountering the canals, quarries, tramways, caves and kilns that fed the heavy industries that roared in South Wales. For Limelight, the artists will use digital means to bring reflections on this history to contemporary audiences by streaming a series of live illuminations to a city centre location and online. The material for their work will be limelight itself, an intense white light generated through heating quicklime used in the 19th century for land survey work and stage lighting. Each broadcast will last as long as it takes for the chemical reaction to be exhausted.
tactileBOSCH: Garden of Earthly Delights
Borrowing directly from a masterpiece by the artist collective’s namesake, Hieronymus Bosch, the Garden of Earthly Delights promises a vibrant, prodigious and inclusive multi-media exhibition in the old Customs and Immigration Building, a vast disused building in the historic area of Cardiff Bay, later reconfiguring their work to be presented again in Stadium Plaza in the city centre. Their invigoration of a long-abandoned landmark will be a ‘gesamtkunstwerk’, gathering collaborators together to include site-specific installation, video, painting, photography, sonic art, interdisciplinary collaborations and spontaneous interventions, starting with a wild launch night of live music, cabaret, spoken word and visceral performance art.
Locus Collective (Richard James and Angharad Van Rjiswijk) featuring Stewart Lee and Andy Fung: The Hill of Dreams
An audio-visual, immersive installation based on the psychogeography of childhood and the wider themes explored in Arthur Machen’s book, The Hill of Dreams, Richard and Angharad will travel to locations of their childhood in Carmarthenshire, Pembrokeshire and the southern Netherlands to record the landscapes that defined their childhoods. The pair’s collaborative suite of footage, field recordings and archive material will be embellished by comedian and writer, Stewart Lee, recording an original, narrative piece for the audio installation and artist, Andy Fung who will paint an accompanying canvas that reflects on his Trinidadian upbringing.
Spit & Sawdust featuring Edwin Burdis
Occasionally a misunderstood and maligned fixture in city spaces, skateboarders and skate culture are set on a collaborative collision course with artists in a project that draws parallels between the two protagonists. As both visibly inhabit and frequently alter the city spaces that they use, the artist-led collaboration will look to the ‘internal’ language of skating, experimentation in using public space, the conventions by which skateboarders communicate and celebrate new skills and ideas and popular forms of documenting performances, primarily video, as part of this new work. The outcome is intended to be a timely discussion about how we exist in close proximity with others who may have different ideas or agendas.
Full information on each commission, dates, times and locations, plus further events including screenings, talks and workshops, will be published on Cardiff Contemporary’s website: www.cardiffcontemporary.co.uk
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