Tag Archives: dusty knuckle pizza

Bite! Cardiff – Food Festival returns to Insole Court, 27 July 2019

Last year’s Bite! food festival was one of the highlights of our calendar. This year they’re returning, but with a new aim – sharing great food while reducing single-use plastics. Specially designed reusable cups will be available to buy at the bar (or order in advance)!

And now THIRTY incredible chefs are returning – bringing pop-up food at a street food price to the beautiful surroundings of Insole Court. They’ll all be creating a single dish each for just THREE POUNDS! Which means you can sweep the site and try loads of different dishes without busting the bank or your belt.






  • Simon Wright, Wrights Food Emporium
  • Tommy Heaney, Heaneys & Uisce
  • Darren Lewis, Joyful Jar Company
  • Michelle Evans, Paternoster Farm
  • Jamie O’ Leary, JOLS
  • Ceri Johnston Bower, The Early Bird Bakery
  • Deri Reed, The Warren
  • Matt Waldron, Stackpole Inn
  • John Cook, EMBER
  • Tom O Sullivan, Spit & Sawdust
  • Tom Furlong & Gwyn Myring, Milkwood
  • Derw Robertson, Tan A Mwg
  • Andrew Gwynne, Gwynne’s Ice Cream
  • Jon White & Rosie Eastwood, The Two Anchors
  • Abi Dymmock, Jack & Amelie
  • Krish Pankaj, Keralan Karavan
  • Gareth Daw, Henry Webb’s Restaurant at St Mellon’s Hotel
  • Laurian Veaudour, Cocorico Patisserie
  • Vicky Crabtree, Shawarmarama
  • Stephen Terry, The Hardwick
  • Montserrat Prat, La Cuina
  • Antonio Simone, The Humble Onion
  • Nick Spann, Bao Selecta
  • Leyli Homayoonfar, Leyli Joon & Co.
  • Rob Haswell, Ceridwen Centre
  • Simmie Vedi, The Warden’s House
  • Sam Speller, Lazy Leek
  • Rhodri Evans, Pieporium
  • Lali Suto, Hoof
  • Debs Lewis, Dusty Knuckle


The 30 chefs and producers are joined by five great drinks providers. This year, Bite Cardiff has partnered with Freedom Brewery, a member of the Sustainable Restaurant Association (SRA).

Wrights Wines will also be serving a range of natural wines, and Skyborry will be offering a selection of Cider and Perry.

Both Little Man Coffee Co and The Handlebar Barista will be serving coffee – so don’t forget your re-usable mugs / flasks!


In an effort to cut down on waste this year and also avoid single use plastics, Bite are selling reusable cups for use at the bar. These will be on sale on the day for £3.50, or you can buy one in advance, for £3, by clicking here.

Buying a cup helps Bite to cover the costs of putting on the event, ensuring that it can be kept *free entry* for years to come. Purchasing one in advance will help speed up and lessen the queues at the bar on the day and mean you can fast track your way into the event. The cups can also be taken away as a memento and are dishwasher safe on the top shelf.


People are encouraged to take picnic blankets, and also, their own picnic crockery and cutlery if possible, as well as refillable water bottles.


Yes – you will need cash to buy tokens (stickers) which can be exchanged for food. £3 = one token = one dish. This is to prevent chefs from having to handle cash on the day. The bars will run as normal (you won’t need tokens) but the whole event will be cash only.


These can be bought from token stalls dotted throughout the festival. You can also pre-purchase these, on any day in the week before the festival, at the Insole Court visitor centre.


Yes, well behaved dogs on a lead.


Parking at Insole Court is reserved for festival staff and disabled drivers only. There will be a limited amount of Bite festival parking available at Rookwood Hospital, at Fairwater Road Llandaff Cardiff CF5 2YN.

Though some parking is available at Rookwood, we are encouraging people to use public transport to access the festival as much as possible. The nearest buses that operate between Cardiff city centre and Insole Court are the 66, 25, 62 or 63 (operated by Cardiff Bus) and the 122 or 124 (operated by Stagecoach).

Insole Court is approximately a 25-minute bus ride from Cardiff city centre, and a 10-minute walk from Victoria Park.

Alternatively, the nearest train station is Fairwater. Insole Court is 500m from the Fairwater Road exit.

The main cycle routes to Insole Court are:

·      From Cardiff Bay via the Ely Trail.

·      From Cardiff city centre via the Taff Trail.

Bike parking is located near the Visitors’ Centre / in the car park.

For more information, visit: https://www.insolecourt.org/visit



Exploring Cardiff’s Printhaus

We sent intrepid explorer Benjamin Newman off to Canton to get to the heart of the arts oasis of the Printhaus. 




Just off Llandaff Road in Canton, in a pretty non-descript part of Cardiff, lies a green splash of colour. It’s hidden away from the aged, red-brick of Canton, and it’s known as the Printhaus.

In many ways, the “just out of sight” nature of the Printhaus extends to the Cardiff art scene as a whole; the entire scene is buried a little under the surface, it just requires a little effort to find it. In fact, it’s located a “stone’s throw” away from the Cardiff art epicentre of Chapter, so it’s geographically pretty linked up with other Cardiff art spaces. As you walk into the entrance and see Cardiff artist Phil Morgan’s art painted on the walls you know this a place where local art is the goal and passion.

The Printhaus is essentially an arts collective offering a variety of services mostly focused on screen printing, but they also assist in general arts services. More than anything, they are there to bridge the alarmingly wide gap between art education and art industry; it is places like the Printhaus that facilitate people’s interest in art or help streamline their ideas further. They offer their impressive line of equipment for hire, including:

  • Textile carousal
  • Flatbed printer
  • Etching Press
  • Fabric Table
  • Table top clamps
  • Exposure Unit
  • Mac G4 + Mac Duo Intel Computers

printhaus_benjamin_newman-04  printhaus_benjamin_newman-06   printhaus_benjamin_newman-09

A variety of screen printing courses are on offer, too, for really decent prices. To see the the Printhaus as simply a service centre for art would be short-sighted. What I discovered from spending some time there and conversing with the managing team of Jude, Tom and Nigel was that, at its foundation, the Printhaus is a space where art is cultivated and celebrated. During our 30-minute conversation we talked a lot about the fact that art requires some form of nurturing in urban spaces: we touched on topics like government funding, digital media, the impact of the art scene on Cardiff and the importance of tangible art in a world where art is becoming more and more digitised.

Whilst I originally intended to interview Jude, Tom and Nigel, it quickly turned into a fluid conversation. In a way, this showed how welcoming the trio were to anyone interested in art, really. They instantly made the Printhaus into a warm and friendly place, miles away from the stereotype that art spaces were elitist or unfriendly.

My original question was about whether the Printhaus received enough support from Cardiff, whether enough was being done to promote Cardiff’s art scene. Funding was mentioned pretty quickly. Funding, then, seemed to be an issue for the Printhaus, but that’s not to say the local council are disinterested in the Cardiff art scene. Despite only having one visit from the council, the Printhaus are part of the Family Arts Network, funded alongside funded organisations like Chapter, Theatr Iolo, National Museum of Wales etc.

The funding of £2500 was granted as a research development project to improve the Family Arts Network in Cardiff. However, the council, from what I gathered from the conversation, seem very focused on economics and are trying to model Cardiff after Swansea’s art structure – but the homogenisation of Welsh art is something that should be avoided. Trying to simply model Cardiff’s art scene after Swansea’s is disrespectful to the unique cultural fabric of each city. The council, though, are definitely on the right track in wanting to create a solid network between art centres in Cardiff. In a post-Brexit Britain, where isolationism and individualism are verging on pandemic, the need to network with the public, other centres and the city itself is more important than ever. The Printhaus are definitely trying to keep this alive, whether it be through educational classes or printing an infinite number of tote bags to impress Cardiff freshers.


The council sees art as a stepping stone into supporting the growth of small business, but urban art centres offer so much more than just business stimulation; they offer education, too. The Printhaus have worked with numerous youth groups, but Jude, Tom and Nigel seemed really passionate about their work with youth offenders. They provide screen printing activities and workshops for youth offenders and the results, from my perspective, are staggering. Screen printing is an excellent method to get into art as you create something tangible with high-quality – it gives artistic confidence. It’s not just an enjoyable activity for youth offenders, but it gives them a sense of achievement. The screen print is a tangible reminder that they can create something; reminders such as this is sometimes all it takes to set someone on the right path again. By creating something tangible and engaging their minds creatively, youth offenders can avoid falling into repetition; art can be a confidence-builder and sometimes confidence is all our most vulnerable need. Education is quickly moving into digitised art and media, but things like screen printing can remind students of the benefits of tangible, more traditional art forms. The sessions with youth and youth offenders is symptomatic of Printhaus’s role in the local community – it is not a place to simply make art, but a place that inspires your individuality and confidence.

Jude, too, mentioned that being in the Printhaus helped her finish her MA, in multi-disciplinary printmaking over in Bower Ashton (University West of England). Despite Tom and Nigel having little to no expertise in her degree discipline, they were able to help her at difficult points during her degree by providing a creative outlet and creating a space where she could freely bounce ideas off of them; the Printhaus, for her, was a place where she could refine other artistic pursuits. By being in an environment of varying disciplines, it allowed her to form a sort of artistic support network and this support, essentially, shows that art networks are still important in cities – they provide invaluable assistance for an artist of any discipline.

As I left the Printhaus I was impressed by how humble this little oasis in Canton was. It’s places like this who quietly keep the beating heart of Cardiff and Welsh culture alive. Check out The Printhaus’ website and pop down if you ever have the chance. You’ll get a taste of the real Cardiff, away from the rugby and alcoholic hedonism.





Dusty Knuckle Pizza have recently relocated to the Printhaus – so stop in there for a slice! There are also frequent open studios and their Snapped Up arts market are held there throughout the year, giving makers a chance to sell direct to the public. Printhaus even recently held its first wedding!

Printhaus Facebook

Printhaus website

Benjamin Newman is an English Literature graduate situated in the Valleys. Passionate about art, music, literature, perfect cups of tea and pretending he’s a journalist.