Cardiff has been greeted by some fantastic artists already this year but we were able to catch Witch Fever and Big Special as April kicked in last week! Witch Fever were supporting Cassyette at The Globe and Big Special were joined by Grandmas House and Slate on their Clwb Ifor Bach tour stop.
If you haven’t heard of Witch Fever, where have you been? This band is a new era of music made up of four musicians from Manchester; Amy, Alex, Alisha and Annabelle. Screaming confrontational lyrics into crowds of moshers before Amy jumps into the action, Witch Fever are one band that should be on your Spotify playlist.
A personal favourite I’ve managed to catch live a couple of times is Blessed Be Thy. It’s the perfect ‘scream at the top of your lungs’ song. Unfortunately, Amy may have sung too heavily and has recently caught a batch of tonsillitis. They’ll hopefully continue their tour with Cassyette once it’s cleared up – you can find future dates here: Witch Fever on Tour with Cassyette Tour Dates
Making up punk duo Big Special, Joe Hicklin and Callum Moloney, the two started their DIY NOW tour in Cardiff. If we needed one word to best describe these two it’s ‘energetic.’
They’ve been described as wanting us to dance through the darkness and that’s exactly what it felt like they were achieving upstairs in Clwb Ifor Bach. Back last year, Big Special were on stage at 2000 Trees and it’s great to see that they’re only continuing to thrive. With influences from different genres, you’re likely to find a song just for you from this duo.
There’s more chances to catch Big Special as they’re just over the bridge in Bristol next month. They’re also on the line-up for Reading & Leeds this year. You can find all the information you need here: Big Special Tour Dates
A hoy hoy friends. Today’s post is one I’ve been wanting to write for aaages, about a newsletter I signed up to a while ago that’s brought me much joy, as it covers ‘weirdo music’ in and around Cardiff. It’s called Through The Night and writer/curator Xavier was kind enough to spare me some time and some words on it. If weirdo music is your thing (and there’s all sorts of great stuff on there, so it really should be) please do sign up for Through the Night.
So, ready? Here we go!
WAC: Hello. Please introduce yourself.
I’m Xavier, from Cardiff. Since moving back in 2014 I’ve been putting on and playing shows here, initially as part of the Hotel de Marl collective, and now under the Sgarab Tapes moniker. I used to be a freelance music writer but am thrilled to say those days are behind me
WAC: You’ve been writing the Through the Night (TTN) newsletter for a while now. What inspired you to start it up?
Just before lockdown I felt we were seeing an especially fruitful time for weirdo music in Cardiff, culminating in a sell-out show in Tiny Rebel for Special Interest, a New Orleans-based outfit who play a sort of mutant no-wave dance-punk. Wild shit, largely the work of Luke Penny from Cardiff punks Cankicker. Happily, the pandemic failed to take the wind out of things, and so in Jan 2022 I threw together some listings in an effort to signpost things. There was once an outfit called ‘The Joy Collective’ who, along with putting on a tonne of leftfield stuff in Cardiff, ran a vital blog that did a similar thing, and I’m picking up where they left off.
I know that ‘Weirdo music’ is a pretty unhelpful catch-all, and I’d be lying if I said it didn’t basically boil down to stuff I like, including projects I’m involved in. But fundamentally, this is a free, artist-led newsletter with no allegiances, least of all to pissant music monocultures of the sort which Cardiff Council loves to flaunt, if not actually support (see the presumably defunct ‘Music City’ project, for example), and which commercial venues are required to continuously indulge. Basically, TTN is dedicated inches for noise and drone, ambience and electronics, industrial, improv and weird jazz, anything that runs the risk of failing to draw an audience. At the same time I’m also open to including artists that are perhaps more easily pigeon-holed on paper, but in practice push boundaries, musical or otherwise, and that’s why I’ll still include certain punk & hardcore, weird metal, or club music. Ultimately I want to help anyone taking a chance, including the DIY promoters and venues; Lesson Number 1, Subvert Power Control, Paradise Garden, and on the performing arts side of things there’s TactileBOSCH.
I should point out another thing I don’t owe any loyalty to, which is publishing deadlines: in theory it’s once a month, but this doesn’t always happen since right now I am retraining as something with far, far more social utility than music-writing. Along with Cardiff I also do my best to cover similar stuff in Newport (home of Le Pub and more recently The Cab, which has quickly established itself as a righteous DIY space for punk and hardcore) and Swansea, (which is frequently the site of the excellent NAWR Music, led by the incredible Rhodri Davies, an improvising harpist from Aberystwyth), but am always concerned I might be omitting the real gear in these locations and am always keen to hear from punters on the ground
WAC: You also run a record label called sgarab tapes. Can you tell us a bit about that, and your own music production?
‘Label’ is a bit grand, for now it’s just a cassette and digital imprint for music I’ve made, on my own and with other people, but this year there will be some releases from artists whose music excites me and hopefully a Cardiff-focused compilation. Some people have asked about the logo, it’s the Summoner from the Canterbury Tales, whose job was to bring people before the church to answer for their crimes and face punishment, which is sort of what it’s like coming to our gigs
Of course, it’s a stupid time to be doing any of this; venue closures and rising costs make things like rehearsing, equipment, touring and getting people out of the house a struggle. Strangely though, it feels like things have never been better in Cardiff for adventurous sounds, at least in my time. Personally I think this is largely thanks to SHIFT, a performance space buried deep in the remains of the Capitol Centre which many, many hands have helped transform into a vital hub of experimentation, cultural solidarity and, I stress, real, actual fun. It’s been a riot, and I’ll be gutted when someone somewhere decides it’s got to go (presumably when the council finally decides to demolish the centre and replace it with unaffordable flats). A lot of highlights there over the last two years (Tara Clerkin Trio, Elvin Brandhi and Yeah You, Lo Egin, Viridian Ensemble) but a recent one that I think underlines what it’s all about was a residency by the Dutch performer Svartvit, who I suppose you could describe as an extreme noise artist. He’s also an extremely nice guy who, as part of the residency, ran a free, open workshop in which he described the processes by which he makes music, which embrace things like chance and situation, and by no means rely on expensive tech. Two of us ended up using what we learned to perform as an improv duo on the final night of his residency. I loved the name of the workshop, which was ‘democratising and de-quantising sound’, which I think is what it’s all about for me (de-quantising is a fancy way of saying working outside of traditional parameters or guidelines)
As for my own music, I perform solo as Beauty Parlour, which I normally describe as an extended exercise in world-building that looks to capture the ‘air of calamity’ I think hangs over South Wales a lot of the time. The music itself takes a few forms, from flooded ambience to manic, industrowave stuff that you can sort of dance to. I also play alto sax and sampler / synth in a band called ‘The Panama Papers’, which began as a hopelessly convoluted in-joke and has since expanded into a jazz-not-jazz-electronics outfit
WAC: Who are your favourite local musicians / artists that you’ve featured? Anyone you’d like to pick out for us to listen to?
I’ve mentioned Cankicker (goth-adjacent dirge-punk from Splott, really looking forward to their second LP which should be out this year) and Rhodri Davies (awe-inspiring improvising harpist, also plays in Hen Ogledd; last time I saw him he was supporting my favourite band of all time The Ex at Clwb Ifor Bach, and the performance was him simply going hell for leather on a smaller harp until all but two or three of the strings had snapped, it was special). A few more from across Wales who I’ve featured these past couple of years are Ardal Bicnic (duo of Rosey Brown and Heledd C Evans, no music online but whose shows have featured everything from scorching violin and clarinet loops to mic’d-up gelatine desserts), Sachasom (deranged, Machynlleth-based beatmaker; what if J Dilla had been made to watch S4C?), Ordeal By Roses (South Wales’s premier power electronics act, ‘And Darkness…’ is my favourite) Somatic Responses (prolific modular synth and electronics producer), and Ash Cooke (improvising guitarist from North Wales, currently putting on some very interesting stuff in Aberystwyth)
WAC: Any hopes / dreams / ambitions for your work for 2024?
Only that I can find the time to carry on doing this stuff. If the newsletter actually helps anyone, that’s mission accomplished. There are a couple of Sgarab releases available now:
Okay kids. We don’t often do last minute TONIGHT style announcements, but here you go. TONIGHT (22/3/2024) at CultVR Lab, don’t miss this unique live performance.
Das Koolies, returned to their rave roots last year with their expansive debut album DK.01 taking an extended road trip through the former Super Furry Animals’ techno, pop, krautrock and psych influences before hitting the road for real on a sold out UK tour.
Now, Huw Bunford, Cian Ciarán, Daf Ieuan and Guto Pryce are back in Cardiff for a unique live performance, in collaboration with immersive studio 4Pi Productions and Dah Dit Dit, the creative minds behind their groundbreaking music videos.
Supported by Welsh Government, Cardiff Council and Cardiff Music Board, the Soundspace Session on Friday 22nd March will see the bands’ sonic adventures and poignant beats bound songwriting enhanced by immersive visuals, under the dome at experimental digital arts centre, CULTVR.
Das Koolies:
“Home sweet home, yet unfamiliar territory to all of us, as we turn the Das Koolies’ sounds into something altogether otherworldly at only our second Cardiff live outing. Our album, DK.01, recorded in the secrecy of our HQ in Cardiff Bay, is made of our shared imaginations and experiences but, beyond our own imaginations lie possibilities unexplored. Something unexpected. For perhaps one night only, DK.01 becomes an immersive experience at CULTVR and together we’ll find out what that world looks, sounds and feels like.”
Matt Wright, Artistic Director of 4Pi Productions:
“Over the past decade, 4Pi has been at the forefront of innovation in immersive creativity and live performance. Through this live XR experience, we aspire to offer audiences a deeper insight into the band’s artistic vision.”
The Blackout, a Welsh rock-band from Merthyr Tydfil, said their farewells back in 2015 leaving many young emo hearts broken. But in the year 2024, they have reunited once more and gone on the road to mend those broken hearts.
Joining the boys on the road were Dead Pony and for their Cardiff show, they welcomed De’Lour to the stage to open the set. Each night a local band open the show and for Cardiff the five-piece band were selected. They thrashed out banger after banger with the songs, Suncrusher, Cold Decisions and Crown. We recommend giving these guys a listen! Dead Pony were second on. They are a Scottish rock-band from Glasgow. Sean Smith said on stage that he is in awe of their chosen band name as it sounds incredibly punk rock. These are another band to keep an eye on – their new single RAINBOWS is out now!
Uproar and nostalgia filled The Great Hall in Cardiff, the moment The Blackout jumped onto stage. Opening the set with This Is Why We Can’t Have Nice Things, the boys had the audience eating from the palm of their hands immediately. Frontman Gavin Butler, injured his achilies during the Manchester stop on the tour so performed the show in a boot, but props on his for continuing the tour despite the circumstances!
Cardiff successfully made Sean Smith cry three times in total and had poor Bob (James Davies) sat on the floor as he patiently waited for the crowd to stop chanting We Are The Dynamite. During I’m A Riot, You’re a F**cking Riot, there were actual riots in the crowd. The mosh pits got heavy and security intervened at one point but everyone kept each other safe and made sure they were all having the best night. They ended their set as they always do with Save Our Selves (The Warning). It’s usually at this point where Sean Smith would ask the audience to get down but the crowd knew exactly what was expected of them.
We’re so glad to see The Blackout’s return and feel like society has been restored in South Wales. We look forward to see where the boys continue and how they perform at Slam Dunk this year!
After having the privilege of seeing Dream State support Funeral For A Friend in Cardiff’s Utilita Arena, we needed to take the opportunity to see them live their dreams on tour with As December Falls. We managed to catch them during their show in Bristol SWX with other support act Lizzy Farrall.
Lead singer, Jessie Powell, has only been with the band for approximately a year since taking over CJ Gilpin. She has achieved incredible things in this past year and 2024 is looking even brighter for Dream State. The band had a reshuffle of members with CJ Gilpin and Rhys Wilcox’s departure, leaving Aled Evans as the remaining original member. He gathered together a team which included Jessie Powell, Jake Bowen and Tom Connolly. Dream State are a Welsh power force not to be reckoned with.
During their set with at Bristol, the band got the crowd worked up. The energy in the room was static and electrifying. As the music pulsed through the venue, crowd surfer after crowd surfer rode over the barrier channeling the adrenaline of the night ahead.
The physical manifestation of the collective energy and shared passion for the music in that room was incredible. You could see as every person that surfed to the front, they felt safe to do so in that environment and that Dream State felt adored and impassioned by the fans were so involved. Both Aled and Jessie also got involved by hopping into the audience to continue their set. Aled with his guitar to create a circle pit around him as he shredded out the song, and Jessie opening up the crowd with the audience admiring her eclectic vibe. Jessie looks sweet and innocent but then she brings out that devilish powerhouse scream and it’s a completely different aesthetic. It’s incredible to say the least!
Dream State have recently announced some very exciting things for 2024 including a featured slot on a stage at 2000 Trees and a headline tour! They’ll be on tour in March and April followed by 2000 Trees in July. Find tickets for The Dream State tour.
Still Dreaming UK Tour 2024
March 28 – Swansea – Patti Pavilion March 29 – Bristol – Lost Horizon March 30 – Exeter – Cavern April 1 – Oxford – The Bullingdon April 2 – Liverpool – District April 4 – Newcastle – Xerox April 5 – Glasgow – Cathouse April 6 – Sheffield – Corporation April 7 – Manchester – Canvas April 9 – Nottingham – Rescue Rooms April 10 – Norwich – Waterfront Studio April 11 – Northampton – The Black Prince April 12 – Birmingham – Asylum April 13 – Portsmouth – Takedown Festival
In It Together Festival will return to Old Park Farm, Margam in May 2024. Alongside the big three headliners over the weekend, they will be joined on stage with other names like Eurovision and Tik Tok star Sam Ryder, Newton Faulkner, Scouting For Girls, Blue and many many more!
Based in Wales, this festival is known for championing Welsh music and this year they continue to give local artists and names a place on their big stage. Artists like Eleri, Banshi, Niques, Half Happy and ADJUA have been given the opportunity to perform in front of a potential 50,000 people over the course of that weekend. An opportunity that doesn’t come lightly for smaller local artists from the Welsh valleys.
I spoke to these few artists and asked how they felt about being able to be part of In It Together:
“I’m feeling really excited about my first In It Together festival! I can’t wait to see all the amazing artists on the line-up as well!” – ADJUA
“I’m so excited to be playing In It Together again after playing at the first one in 2022. It’s amazing to have a festival of that scale bringing big artists to Wales, and the Paddock Stage with local artists alongside the big names is such a good idea!” – Eleri
“I used to want to perform at this festival and I set it as a goal to get on the line-up, so to be on it now feels so rewarding.” – Niques
Eleri photographed at Tramshed, Cardiff by Chloe Michelle Photography
Niques photographed at Porters, Cardiff by Chloe Michelle Photography
Encouraging local music artists is crucial for fostering a diverse and vibrant cultural landscape. These emerging talents often bring fresh perspectives and innovative sounds that may go unnoticed in mainstream channels. Supporting them not only helps nurture creativity but also contributes to the preservation of unique regional identities.
In It Together have selected more than fifty Welsh artists alongside their star-studded line-up in a celebration of Cymru’s grassroots talent. This grassroots support fosters a sense of community, encouraging a cycle of artistic inspiration that ultimately enriches the global music scene.
Kids In Glass Houses, a Welsh five-piece rock band consisting of Aled Phillips, Andrew Sheehy, Iain Mahanty, Joel Fisher and Philip Jenkins. With their debut album Smart Casual turning 15 this year, they have reunited and are back on the road to bring nostalgia to the kids who have been fans since 2004.
The band announced their split back in 2014 where they played a final show on Halloween in Cardiff. On their current reunion tour, they have stopped off in Glasgow, Manchester, Birmingham, London, Bristol and finally wrapping up in Cardiff. It felt incredibly fitting to watch Kids In Glass Houses perform on a Saturday in their home city of Cardiff, with The Nightmares as their support act.
The Nightmares are a four-piece band who describe their music as Noir Pop. The Newport band consists of Adam Parslow, Eleanor Coburn, Benjamin Mainwaring and James Mattock. With the staging set up in dark red, the band played songs from their discography with black roses attached to their microphone stands. Their vibe gave a gothic atmosphere with a melancholy crimson feel.
Kids In Glass Houses came onto the stage with bundles of energy. Aled Phillips was running around the stage and showing no sign of stopping until their set was complete. They opened with Fisticuffs and finished with Matters At All. The the eccentric dance moves from Aled, it felt like he was channelling his inner Elvis. With a sea of inflatable flamingos in the crowd, and the chanting of A.L.E.D, the final show on the tour really did end with a bang. The band were incredibly thankful that so many fans were still supporting them and selling out shows and how 15 years since Smart Casual was released has flown by. The band finished off by taking a photo with the audience and included a sign that read ‘BRB…Making A New Album!’
A festival inspired by the instrument that connects us all – the voice
“Llais is Cardiff’s international arts festival, bringing artists and audiences together for incredible live music, thought-provoking performance and inspirational talks.”
Llais Festival began back in 2016 which saw a line-up of Van Morrison, Charlotte Church and Hot Chip. Last years line-up saw artists Cate Le Bon, Midlake and Pussy Riot take to the stage. For 2023, Llais Festival is bringing along The Staves, Bat For Lashes, Gwenno and many more!
(You might recognise Gwenno from the side of Clwb Ifor Bach on Womanby Street as a 38 metre mural!)
During the weekend of October 14-15, we managed to catch the sets of: Angharad Davies, Angeline Morrison, Gwenno, Clare Marie Bailey and Elaha Soroor. What a fantastic mixture of international sound and culture.
Angharad Davies – a Welsh experimental violinist demonstrating a psychedelic experience for the audience in the Cabaret bar. Angharad slowly approached the stage and setting the expectations of her performance. She performed a 52-minute solo violin piece from her single track album titled “Gwneud a Gwneud Eto / Do and Do Again.” The performance provided the room with a sense of meditation and enchantment. Angharad describes the violin as particularly intimate with an endless wealth of possibilities. The low repetitive drones and variety of high pitched scratches truly provided the audience with the psychedelic experience they were promised.
Angeline Morrison – with a focus on storytelling, Angeline performs elements of soul music, folklore, myth and the supernatural. Angeline Morrison’s 2022 album, The Sorrow Songs: Folk Songs of Black British Experience was voted Number One Folk Album of the Year in The Guardian. Angeline shared a touching story with the audience about how she was very close with her grandfather who had dementia. Her hypnotic performance interacted with the audience through precise storytelling. The audience were applauding the end of each song ready for the next.
Gwenno – this was a one- off performance exclusive to Llais Festival, titled ‘Tair Ton | Teyr Ton | Three Waves.’ We were told to expect a ‘sensory feast with added theatrics’ and that’s exactly what Gwenno treated us to. This performance celebrated her three albums with connecting themes and featured unheard live performances from her discography. Gwenno’s performance was filled with stunning lighting and graphics throughout giving the audience a show of visual satisfaction. The crowd came wearing their red hats and ready to be captivated with songs such as N.Y.C.A.W. and Men an Toll from her album, Tresor. Gwenno was a perfect wrap up act on Sunday at Llais Festival bringing along Welsh culture and voice at its finest.
“We’ll start a fire and burn some bridges and make it out of here tonight”
Welsh band, Funeral For A Friend took to the stage at Utilita Arena, Cardiff on Saturday October 14th for their penultimate show of the ‘Casually Dressed & Deep In Conversation’ tour.
From Bridgend, formed in 2001, the band is made up of Matthew Davies-Kreye, Kris Coombs-Roberts, Gavin Burrough, Darran Smith, Richard Boucher and Ryan Richards.
During their Cardiff show, they were joined by American rock band Dashboard Confessional and Welsh rock band Dream State as supporting acts.
Opening the show, Dream State, fronted by Jessie Powell, gave the crowd a rock show entrance they will never forget. Performing their first arena show, Dream State were incredibly thankful to be part of Funeral For a Friend’s anniversary tour. Despite the size of the arena and crowd, Jessie held up her horns and threw herself into the audience, creating her own pit. This Welsh rock band was the perfect start to get this show on the road. Chin Up Princess is a song that will be on repeat for a while.
Dashboard Confessional were second on stage just before Funeral For A Friend themselves. The American rock band opened up with Don’t Wait and continued into songs such as Saints and Sailors and Screaming Infidelities. Bringing the crowd back down to a calm and collected level, Dashboard Confessional were able to maintain interaction with the audience with a special song request from a band member. Chris Carrabba told the crowd that each night on the tour they choose to play a random song from their discography.
Just over 2 hours after doors officially opened, the main show started, Funeral For A Friend were greeted by loud screams from their hometown Welsh fans. They opened with Rookie of the Year and continued into Bullet Theory. Lead singer Matthew Davies-Kreye was lucky enough to celebrate his birthday on home turf during their Cardiff show. Fans were jumping, pits were opened and the band’s 20th anniversary tour was celebrated in style at the Utilita Arena in Cardiff.
St David’s Hall has found itself in the centre of public debate lately, as news broke last week that Cardiff Council was considering a proposal from a private firm, Academy Music Group, to take over ownership of the beloved concert venue. As of this writing, more than 15,000 people have signed a petition calling for St. David’s to be protected as a vital performance space for classical music in the heart of Cardiff.
On Monday November 28, as if to reinforce its importance to Cardiff’s vibrant cultural scene, St David’s hosted the Sinfonia of London, billed as a “super orchestra” of top musicians hand-picked by artistic director John Wilson. Originally established in 1955 chiefly as a recording orchestra, Wilson revived the orchestra in 2018 and in a few short years has propelled it to sold out concerts across the UK, not to mention reviews so universally gushing that they border on the hyperbolic. (The Sinfonia of London is not to be confused with the City of London Sinfonia– a case of absurdly confusing nomenclature worthy of a Monty Python skit).
Opening with William Walton’s boisterous comedy-overture Scapino, Wilson and his musicians established their trademark bold attack and swaggering virtuosity right off the bat. Walton composed the work in 1941 as a commission for the Chicago Symphony, home to one of the world’s great brass sections, and the Sinfonia brass negotiated the spirited music with ease. Wilson’s approach to conducting is remarkably economical and un-showy; like a master jockey, he can control this powerhouse ensemble with the lightest touch, and mostly knows how to stay out of their way.
The Sinfonia’s feel for panache and razzle-dazzle was on full display for Gershwin’s Rhapsody in Blue. Joining the ensemble was 26-year old British pianist Martin James Bartlett. Bartlett certainly has technical chops and musical charm to spare, but his Gershwin felt over-thought and overwrought. His playing was fussy and precious, with odd rubato choices that he perhaps thought sounded more “jazzy”. The sexiest, most impressive versions of the Rhapsody happen when the pianist relaxes into the pocket of the music, letting Gershwin’s bluesy growls and soaring skyscraper melodies speak for themselves.
The balance of the program was devoted to works by the French impressionists Maurice Ravel and Claude Debussy. For this refined repertoire, Wilson’s approach needed more polish and shimmering French elegance. In both Ravel’s Valses Nobles et Sentimentales and Debussy’s La Mer, his focus on rhythm and impulsion created a sense of drama and cinematic excitement (at one point his baton went flying into the viola section), but it was too often at the expense of more nuanced orchestral colour and patient, sustained legato. The rarely performed original version of Ravel’s Bolero, composed in 1928 for the flamboyant Ballets Russes dancer Ida Rubinstein, sounded glaringly Spanish rather than achieving a more subtle effect of Spain viewed through a Frenchman’s wineglass. Some of the orchestral solos missed the mark here, in particular the tenor and soprano saxophones. Still, there was no denying the musicians’ visible enjoyment in performing this satisfying work, nor Wilson’s skill in allowing the dynamic tension to build until its explosive final flourish.
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Natasha Gauthier has been writing about classical music in Canada and the US for more than 25 years. She is the former classical music critic for the Ottawa Citizen, in Ottawa, Canada. She currently writes for Early Music America Magazine, Opera Canada and Ludwig Van, among other online and print publications. In June she was a teaching fellow at the Rubin Institute for Music Criticism at the San Francisco Conservatory of Music. She moved to Cardiff in September 2022 to complete a postgraduate degree at Cardiff Uni. When not attending concerts, she spends her free time here breathing in the sea air, admiring the clouds, learning Cymraeg and trying to make friends with the magpies.
Creative Republic of Cardiff is a non-profit organisation that plans to rejuvenate Cardiff’s live music and creative culture. It was been set up by former staff & friends of The Full Moon, which closed in April 2017.
They set up an Indiegogo campaign which raised £14,000 in two weeks, which helped them to take on the building’s lease and open at the end of April 2017 as a new community-led, non-profit venue & arts space called THE MOON.
eg – securing the lease; licenses; insurance; tills; stock; accounting; legal; security; design & signage; plumbing & electrics; continuing refurbishment – painting, carpentry, tiling, loads of odd jobs and fixing stuff, lights replaced, little cloakroom/space for band gear; & everything else associated with maintaining a fully functioning venue!
Additional funds will allow us to improve the venue, carry out maintenance and provide them with basic working capital.
Creative Republic of Cardiff will use the venue to establish an environment of collaboration, networking and knowledge sharing. It will nurture, develop, organise and showcase talent from Cardiff and beyond.
The Moon has been an powerhouse for supporting grassroots artists, and supporting them is support for our independent music scene!
They’re currently offering two levels of support: £7.50 per month, or £20 per month. Here’s how they break down:
$10 (£7.50) or more per month:
Moon ‘Saviour’ T-Shirt
10% discount at the bar FOR LIFE any time you come in wearing your Saviour t-shirt
Your name will also be placed on the wall plaque of saviours
$25 (£20) or more per month:
Saviour t-shirt
10% off at the bar for life when wearing Saviour t-shirt
1 free gig per month at The Moon of your choice (subject to ticket availability)
USW’s School of Music and Sound have a listening launch party for this year’s Create Sampler, FCI 2 on 14th May from 3.30pm, and they want you to go along!
Following steep competition and over 40 entries, a staff panel selected the final tracks to represent the School and release on vinyl, complete with cover artwork from The Wild Midnight.
FCI 2 contains 13 eclectic tracks ranging from rock to folk to electro house, collaborations and an exclusive track recorded at Rockfield Studios. The creative standard this year is exceptional and they can’t wait to share the finished product with you. Finished copies will be available on the day and also on the shelves of Spillers Records.
Join us in the Theatre to listen to the album and hear the stories behind the tracks from the artists themselves TICKETS ARE AVAILABLE HERE
Theatre listening party 3.30pm-5pm
Zen Bar Social, DJ & Buffet 5pm – 7pm
Get yourself along and support tomorrow’s musical stars!
Side A
“Y Diweddaraf” – Adwaith
“Zen Me Kan Dao Zi” – Min & Hui
“Curves and Lines” – Suleiman Atta
“Nowhere’s Ark” – Jacob Haslam & 3rd Year BMus Contemporary Music Performance
Last year’s Sampler, FCI 1 gained critical acclaim in the industry receiving radio airplay and was championed by BBC Producers Huw Stephens,Adam Walton and Bethan Elfyn. It is also stocked in Spillers Records and will be available for this year’s Record Store Day. Featured bands Mellt, The Kelly Line and Naomi Rae have continued to gain attention in the business and we anticipate big things for this year’s artist rostra.
Join us in the Atrium theatre to listen to the album and hear the stories behind the tracks from the artists themselves.
Theatre listening party 3.30pm-5pm
Zen Bar Social from 5pm
Bought to you by the School of Music and Sound this event is free, open to students & the wider music community, please tell your friends. If you are looking to get into the industry or advance your business within it these talks are for you.
We Are Cardiff 